Often sophisticated controls are used to tweak the settings for the finest control. Of course, it’s more complex than clicking a single button. These plug-ins select slivers of problematic audio and fix them piece by piece. Most of the time these take the shape of audio plug-ins used in tandem with editing software like Nuendo, Pro Tools, and Reaper. Because of this, software has been designed to fix them. While annoying, audio problems like these are normal. Often environmental problems occur that damage even the most prepared sessions: noise, RF interference, rumbles, and whines. Sound problems can occur from simple human errors, such as setting levels improperly, misaligning microphones, and more. It’s not easy to capture completely pure audio recordings. It shares 4 tips to reclaim and improved damaged audio. After all, it’s not easy to record the same audio again. It’s a frustrating experience to realize recordings captured on location are filled with problems. You realize you set your levels too high and the stock car passes by have peaked. Perhaps the main character’s dialogue is soaked with hiss. Then, when you load the tracks into your editing app, you notice a problem. Maybe you completed a field recording session of roaring race cars. Perhaps you’re a production sound mixer, and have just finished weeks of a gruelling film shoot. You finally got your band into the studio to lay down some tracks.
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